Introduction
“Lawdy Miss Clawdy” is a seminal rhythm and blues track penned by New Orleans singer-songwriter Lloyd Price in 1952. The song’s inception traces back to Price’s high school days, where he crafted jingles for local radio station WBOK. One of these jingles featured the catchphrase of DJ James “Okey Dokey” Smith: “Lawdy Miss Clawdy.” Recognizing its potential, Price expanded the jingle into a full-length song. The recording session, held at Cosimo Matassa’s J&M Studio, boasted notable musicians, including Fats Domino on piano and Dave Bartholomew as producer. Upon its release, the track soared to number one on Billboard’s R&B chart, maintaining that position for seven weeks and solidifying its place in music history.
Elvis Presley’s connection to “Lawdy Miss Clawdy” began in 1956 when he recorded his rendition at RCA Studios in New York. This version, while not charting upon its initial release, showcased Elvis’s deep appreciation for rhythm and blues and highlighted his ability to reinterpret existing works with his unique style. The song became a staple in his live performances, reflecting his musical versatility.
A pivotal moment in the song’s legacy occurred during Elvis’s 1968 television event, commonly known as the ’68 Comeback Special. At this juncture, Elvis sought to reconnect with his roots and reestablish his presence in the evolving music scene. Dressed in black leather and performing in an intimate setting, he delivered a raw and impassioned rendition of “Lawdy Miss Clawdy.” This performance not only reignited his career but also underscored the song’s enduring appeal.
The ’68 Comeback Special marked a resurgence for Elvis, reminding audiences of his unparalleled charisma and musical prowess. His rendition of “Lawdy Miss Clawdy” during this special stands as a testament to his ability to breathe new life into classic tracks, bridging the gap between rhythm and blues and rock and roll. This performance remains a defining moment in both Elvis’s career and the song’s storied history.