Introduction

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“Baby, What You Want Me to Do” is a classic blues song originally written and recorded by Jimmy Reed in 1959. Its raw, repetitive structure and pleading lyrics have made it a staple in blues, R&B, and rock genres. The song reached number 10 on the Billboard Hot R&B Singles chart and number 37 on the Hot 100 in 1960, and in 2004, it was inducted into the Blues Foundation Hall of Fame .

Elvis Presley’s rendition of “Baby, What You Want Me to Do” during his 1968 NBC television special, commonly known as the ’68 Comeback Special, marked a significant return to his musical roots. After a seven-year hiatus from live performances, Presley reconnected with his blues and R&B influences in an intimate setting, accompanied by his original bandmates Scotty Moore and D.J. Fontana. The performance was raw and unpolished, showcasing Presley’s vocal prowess and emotional depth .

The ’68 Comeback Special was pivotal in revitalizing Presley’s career. Initially planned as a Christmas special, it evolved into a concert that highlighted his musical versatility and charisma. The special received positive reviews and topped the Nielsen television ratings for the week in which it aired, becoming the most-watched show of the television season .

Presley’s performance of “Baby, What You Want Me to Do” stands as a testament to his enduring talent and ability to adapt, bridging his early blues influences with contemporary sounds. It remains a highlight of the ’68 Comeback Special, reflecting a pivotal moment in his illustrious career.

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At 89, Engelbert Humperdinck is no longer just the velvet voice that once defined romance for millions — he is a man standing alone in the quiet after the applause, carrying a love story that even time could not silence. Gone are the roaring stages and dazzling lights. In their place: a trembling confession, eyes glistening, voice unsteady as he speaks of the woman who was never just his wife — but his anchor, his inspiration, his forever. After more than half a century side by side, illness took her from this world… but never from his heart. “She’s still with me,” he whispered — and in that fragile moment, the world seemed to pause. For decades, fans believed his greatest love songs were performances. Now we know they were promises. Promises whispered in hospital rooms. Promises carried through sleepless nights. Promises that did not break when her hand slipped from his. This is not the story of a superstar. This is the story of a husband who still sets a place for her in his memories. Of a man who sings not to an audience — but to the love of his life, wherever she may be. Because for Engelbert, love was never about spotlight or roses. It was loyalty through suffering. Devotion through fading strength. A bond that outlived breath itself. And perhaps that is why his words cut so deeply now. True love doesn’t die when a heartbeat stops. It lingers — in photographs, in melodies, in quiet conversations with the past. It lives on in every note he sings… and in every tear shed by those who finally understand that the greatest romance of his life was never written in lyrics — but in a lifetime of unwavering love.